13 best-used songs in The Guardians Of The Galaxy movie, ranked

Music is more important to the Guardians of the Galaxy movies than any other part of the MCU, as Peter Quill’s mixtapes are the key to his character. His mother made them for him, and he listens to them on his walkman while he and the Guardians save the universe.

While fans wait for Guardians Of The Galaxy Vol. 3, there are still plenty of songs to listen to during each of the Guardians’ big-screen appearances. Not only are there the two Guardians of the Galaxy movies by James Gunn, but the Guardians also had significant roles as well as broadcasts in Avengers: Infinity War and Endgame. The question remains: which songs have had the greatest impact across the films?

Updated June 29, 2022 by Melody MacReady: With Guardians Of The Galaxy Vol. 3 in the future for MCU, more songs are likely to be added thanks to the return of James Gunn. However, Guardians of the Galaxy is expected to return in Thor: Love And Thunder, where they will likely be paired with classic songs.

Until then, there are still two volumes of songs left as well as a few extras that can be found in their crossovers with Avengers. It’s impossible to stop at ten songs when there have been so many songs paired with iconic footage thanks to the genius of director James Gunn.

13 “Father and Son” by Cat Stevens

The most heartbreaking thing about Yondu’s death in Guardians of the Galaxy Vol. 2 is more specific than just the loss of an amazing character. He sacrificed himself to save Quill right after Quill realized he knew his real father all along. It was not his biological heavenly father; The ravager raised him.

It was only fitting to have a song called “Father and Son,” performed by the great Cat Stevens, played at Yondu’s funeral. It also provided an appropriate dispatch to the character and a very emotional ending for the sequel.

12 “Bring Him Home” by Sam Cooke

In the first Guardians movie, Peter Quill introduces AKA Star-Lord Gamora to the concept of dance via the “legend” of Footloose. In the other, they dance together and it’s a really sweet, romantic, beautiful scene.

“Bring It on Home to Me” by Sam Cooke was used for the stage and it created an incredible atmosphere. The song also has a huge legacy; it was named by the Rock and Roll Hall of Fame as one of the songs that shaped the rock and roll genre in the first place.

11 “Brandy (you are a beautiful girl)” by Looking Glass

The tune is very soothing and relaxed, making it appropriate for a dating scene, but it actually has a deeper sad meaning. It tells the story of a bartender who flirts with lonely sailors in the small port town where she works, but really misses the love that left her long ago.

The track reappears later in the film as Quill listens to it on Ego’s planet, and Ego calls it “one of the greatest musical compositions on Earth, perhaps the greatest”. When it is later revealed what Ego did to Quill’s mother, a tragic layer is added, and the deeper meaning takes on meaning in an ominous degree.

10 “The Rubberband Man” by The Spinners

Spinner’s “The Rubberband Man” stars in the scene that introduces the Cosmic Team in Avengers: Infinity War. With its mix of funk and soul musical styles, “The Rubberband Man” was the perfect song choice for the transition from Avengers to Guardians.

The scene was supposed to look like it was taken from a Guardians of the Galaxy movie and put together in a giant Avengers team, and that’s exactly the feeling we get with Spinners on the soundtrack.

9 “Mr. Blue Sky” by Electric Light Orchestra

The opening track to a movie is responsible for setting the tone for it all. At the start of Guardians of the Galaxy Vol. 2 fights the characters against a giant octopus-like alien.

Instead of focusing on that, James Gunn keeps focusing on Baby Groot while dancing to “Mr. Blue Sky” by the Electric Light Orchestra. The film’s comic style is immediately established, and viewers sit back to yet another cosmic adventure with these quirky characters.

8 “Addicted to a Feeling” by Blue Swede

Although Guardians Of The Galaxy had a main theme for the orchestra, most fans will still think of “Hooked On A Feeling” for this intergalactic outlaw team. It was the song that played in the trailer and gave fans a taste of James Gunn’s love of music and how it would be used in the scenes.

In the film, the song is used to help establish the cruel and brutal nature of the prison known as The Kyln. Thanks to Guardians of the Galaxy, “Hooked On A Feeling” has once again become the number 1 song on multiple platforms.

7 “Wham Bam Shang-A-Lang” by Silver

James Gunn continued to improve the way he implemented music in Guardians Of The Galaxy Vol. 2 with “Wham Bam Shang-A-Lang.” Instead of the song just playing during the climax, many of the actions and the visuals happen in sync with the song’s poppy, optimistic beat.

It’s pretty much the same, but in a good way. The fate of the entire universe hangs in the balance due to Ego The Living Planet and the sovereign attack at the same time. Silver’s song, however, keeps the climax full of energy, keeps the stakes high and makes the viewer want to dance, while the Guardians kick ass.

6 Come and get your love of Redbone

There is a big tone change in the opening as the audience sees Peter Quill as an adult, played by the talented Chris Pratt. At first it’s dark and dark, but suddenly it’s getting lively and comical with Star-Lord dancing around on a distant planet, listening to his Walkman and stealing Power Stone.

His funk-rock sound introduces us superbly to this intergalactic combination of Han Solo and Indiana Jones and is set up for a very funny movie. It was also from this opening that the public knew they would experience something very different for MCU.

5 “My Sweet Lord” by George Harrison

Right after the Guardians meet Peter Quill’s father, Ego, played by the talented Kurt Russell, he brings them back to his planet. The only thing visually said about Ego’s planet is that it’s a strange paradise, and that’s what makes George Harrison’s “My Sweet Lord” so apt.

The ethereal, psychedelic, almost surreal sounds of Harrison’s guitar riffs introduce the planet perfectly. The former Beatles member was inspired by religious images as he wrote the song, which plays on the divine power and pompous nature of the Ego.

4 “I Want You Back” by The Jackson 5

James Gunn was able to play with the emotions of his audience by killing Groot. Moviegoers sighed in relief and smiled uncontrollably as they watched Baby Groot dance to Jackson 5’s soulful hit “I Want You Back.”

It was a lovely scene, and “I Want You Back” was the perfect choice for the soundtrack after such an intense roller coaster of emotions at the climax. This allowed viewers to leave Guardians Of The Galaxy with a bright smile and one last laugh while Groot plays with Drax.

3 “Moonage Daydream” by David Bowie

David Bowie’s “Moonage Daydream” plays across the stage, with the Guardians first arriving at Knowhere. Its supernatural sound pairs beautifully with the supernatural image of a celestial skull floating in space.

This shows the impact of James Gunn’s style on the Guardians, as the latest video game Guardians Of The Galaxy used music in the same way. He even has a similar establishment plan of his own version of Knowhere.

2 “Come A Little Bit Closer” by Jay & The Americans

This is where Yondu officially steals Guardians Of The Galaxy Vol. 2, by using his advanced Yaka arrow to decimate any pests that betrayed him. Thanks to Rocket, Yondu is able to kill while Jay & The Americans’ “Come A Little Bit Closer” when they take over the ship.

The song’s cheerful, almost operatic sound adds to the common trope that ultra-violence is far more tolerable when paired with something more optimistic. The way Yondu kills Ravagers is actually quite dark and twisted, but the music makes the scene one of the funniest scenes in the Guardians of the Galaxy movies.

1 “The Chain” by Fleetwood Mac

Usually, in the final battle scenes of MCU movies, a magnificent and pervasive orchestral score will play to capture the weight and seriousness of what is happening. But James Gunn demonstrated with the Guardians of the Galaxy movies that the same can be achieved – and in fact more effectively – with a pop classic.

At the end of Vol. 2, when Quill finally manages to channel his heavenly half and fight Ego. The dramatic weight of Fleetwood Mac’s “The Chain” packs the emotional punch the scene needs; especially as he becomes less of a struggle for the universe and more of a son who defies his so-called father-excuse.

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